Worldwide Analysis Research Projects Electronic Press media environment, internet, new media, telev

Worldwide Analysis Research Projects Electronic Press media environment, internet, new media, television in Bulgaria: 1954-2014 the program. Journalism. Regulation. New Media Criticism Events Atelier Mediametar E-books
Few years ago was born - to the glory of our century - a machine that day by day amazes and frightens our thought our view. Before you go and a century this machine to replace the brush painter, رفش palette, paints, skill, experience, patience, fidelity, color, model and perfection and become the extract of painting. It is not true that the daguerreotype kills art. When the daguerreotype, this huge kid grow when all its art and develop strength, then genius will grab her by the collar and a strong will exclaim, "There! رفش Now you're mine! We will work together! "
The advent of technology and Technologicalization in all social, cultural and economic spheres of modern man requires new rethinking رفش of the surrounding reality, marking the existential parameters and define the components of civilization to which it is measured. Today, as if our ability to develop and orientation are limitless. The disappearance of the spatial and temporal barriers, striving to mitigate the national, religious and biological differences to reach intellectual and creative consolidation adoption of otherness as part of the identity are elements of self-determination and self-knowledge, wedged in covering رفش our technological رفش envelope. Mechanization of social order, رفش the adoption of the machine as an intellectual dialogue in the technology recipient is declared desire to exit beyond the perceptible world beyond the vault of heaven and visual barriers and finding a new sense of reality. This movement is directed outward as the vast spaces, as well as their spiritual and genetic archetypes to cellular beings a feeling, رفش but an unknown nature. The change is complete and it is caused not only by the technical improvement. رفش Overcoming physical emanation at the expense of a different interpretation of the value model determines our attitudes completely change the individual cues. Compartmentalise consciousness as a result of the information boom leads to multiplicity of perception and (self) determination and inability to clear personal identification. Dependence on technology as an element of social environment extends to communication (especially via the internet). Certainly the advent of the information society is a prerequisite for a radical رفش change in the type of communication used before. Interpersonal, group and mass communication are replaced by human-computer communication and computer-computer. Corporeality رفش relations and traditional activities have been replaced by spiritual communion, in which the foreground is displayed exchange of ideas and elements of nature at the expense of models ready for playback (behavioral models). And if the information as a sign of value, is decisive for the new type of social mores, changes extend in all public areas. In this respect, the familiar cycles of the Russian economist Kondratiev structuring the stages of development of human society, remodeled by American رفش futurologist Alvin Toffler ("wave patterns") are one way to explain the observed changes. "Information eotnoshenie says Lev Nefyodov. Information displayed in the fifth Kondratieff cycle as a key driver of structural change at the center of the innovation process رفش different levels in the relations of man. "[2] openness to the world, the desire for full communion, the use of new visual and communicative forms optimization of energy, information and dialogic flows that are striving for complete understanding and mastery of reality potency of (self)-looking and the formation of new spaces. As far as the information change is referred to as spiritual change, transformation affects the overall total creative field. The emergence of new cultural forms and formats and their reconsideration, according to the modern individual and social needs, habits and activities associated with different contents رفش of today's art. Oboznachenost material (paints, brushes, canvas, easel, color, رفش line, spot) is overcome رفش at the expense of technological marking and ideological nature (concept). And also to the change of personality (author / perceiver). According to Jean Christophe رفش Amman: "In the future art in many more will be opened to the man himself, it will brings the images and emotions that excite him, he will brings amazement of himself.". [3] His statement may be supplemented by that of the German artist Joseph Beuys, who said "Every man is the creator." Such an attitude towards contemporary art is about understanding the artworks as a result of thought and imagination, رفش knowledge رفش and com