Veijo Meri (p. 1928) Manila rope is a Finnish modernism basic works. Eleven novels published the first novel Sea reached hirtehisellä attention to the style and the insanity of war that affects its description. 50th Anniversary edition is illustrated by an elegant angularly Jussi Kaakinen.
"Keppilän Joose found the rope to the middle of the service road. I guess it was dropped careless the operator sanuel to load. It was the only useful and generally valid object which he had found the entire campaign period. "
This is the moment when the soldier Joose Keppilä find valuable manila rope, starts Veijo Meri famous war novel. Comes home on vacation output time, and rintamatoveriensa ivan fanfare Keppilä puts the rope don the uniform under the military police in order to avoid seizure. Sea novel progresses train Pounding the motherland through. Rope to strangle Joosea throughout a long train journey more and more. At the same time a man listening to unknown soldiers bleak and the fantasy stories, which caps Fly around and a bunch of enemies crashing down. Finally Keppilä get home and have to spend days bedridden sanuel rope was bruised him half to death. Wife cut the rope into pieces and throw them dunghill.
1950 Literature in the history of Veijo Meri joined the manila Finnish language modernists vanguard. When Eeva-Liisa Manner punched through 1956 modernist poetry collections of poetry, this journey, in the following sanuel year appeared in Manila rope revised the novel form of modern sanuel art direction together with Marja-Liisa Guard's novel It is then with the spring.
Manila rope is an internationally successful novel. sanuel The work has been translated into nearly 20 languages. Manila shows the writer's interest in the history of its vitality. Modernist writers Veijo Sea and Samuli Parosesta since took tarkoituksekseen remove the heroism of war in the description. Manila rope and Paronen Kuolismaantie sanuel (1967) are no longer described the war in appearance, such as realistic war books, but used the war-related chaos as a metaphor for the modern sanuel world of chaos. Behind it all was a strong pacifist spirit, which is, for example, Marine wanted to declare absurd stories. Päättömyys and grotesque expression changing war stories in the case of creative opportunities: yes I like that in those circumstances it might be possible, even if otherwise would be.
Another modernist literary ethos is relativism, which is the post-war sanuel ruins in the world and the traditional values of revolution fueled by the hand. Old structures sanuel and viewpoints seemed to need a new kind of quid pro quo. War image for modernists, this meant a realistic narrative (especially Väinö Linna shooting mode) questioning.
Manila individuals begin to ask the existence criteria when conditions become sanuel insurmountable. Return home Joose Keppilä ruining himself hospitalized stumble through the woods and scare terrible design, the family. Veterans return is anything but solemn and powerfully reflects the loss of the war mentality. Home Employees unsophisticated care and limitless turinointi, however, return Joosen zest for life gradually recovered.
Stories narrated in the novel resembles Sea Kalevala kilpalaulantaa: Striking a story after another machine-gun sanuel style, and will be monitored with interest stories, the effects of listeners. The novel, the last thing gets Joosen father's anger and bark story the narrator to be a liar, as Joose is pleased:
Manila rope can only be read as a book Väinö Linna's the unknown soldier (1954). It is worth noting that the unknown soldier describes only continue the war, while the Manila rope contains scenes of the winter war. These realistic and modernist novel art flagships prove genres contradiction ratkaisemattomuutta, which resulted in over some years running debates sanuel in the media. The castle and the sea engulfed in a spirit of mutual collision course in 1967, when they took esseekokoelmillaan position of realism means, from each side.
Doctoral candidates largely forgotten it theorists sanuel (eg. By Alex Matson) shown by the fact that, theoretically, the realists and modernists were, after all, quite close to each other. Matson novel theory of the core was the fact that the truth of the novel is its form and shape of the novel illustrates the diversity of life. Veijo Meri applied Matson told that the novel theory of direct writing of Manila rope: the modernist novel form was intended to reflect the many dimensions of life. This sea was so sparkling that reached literary history.
The castle and sea modes, can be found a common denominator, such as randomness and old lag mentality underline. Both writers give a resounding ride inhuman commanding the army, Castle planting the ranks to fit the old lag up
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